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Chinese philosophy exposes the limits of AI creativity | Davide Andrea Zappulli » IAI TV

Drawing on the Zhuangzi and its story of an oversized gourd, the article presents creativity as adapting to unusual circumstances by finding new ways to see and use things. It argues that this embodied interaction with the world distinguishes human creativity from AI’s recombination of existing ideas.

[2605.13450] Do Semantic Distance Tests Actually Predict Creativity in LLMs? Evidence for Jagged Creativity

A large-scale study finds that semantic-distance tests do not reliably predict several forms of LLM creativity, including output diversity. The authors identify jagged creativity and recommend caution when applying creativity measures developed for humans to LLMs.

Is AI creative?

Translated title. Original: Kreatív-e az AI?

The piece discusses whether AI can be creative, emphasizing that AI is a broad set of technologies rather than one entity. It argues creativity depends on context and task, notes the tension between automation and control, and suggests creativity is mainly relevant for generative models while recognizing safety concerns in certain applications.

Neural Ecstasy | AI Models, Creativity & Psychology

The author discusses using various AI tools (Opus 5.5, Claude, ChatGPT) for creative work, including video production and website building, while noting ongoing experimentation and a willingness to pay for AI services.

[2611.11740] Creative Priming: Decoupling Process from Product to Escape the Creative Paradox

The paper proposes creative priming, a method that separates creativity-supporting prompts from response generation. A priming model learns to create primers that lead to novel, high-quality, and diverse responses without favoring particular outputs.

Brand Week Istanbul's first day: Creativity, people, and the future debated in the midst of turbulence - Expo Magazine

Translated title. Original: Brand Week Istanbul’da ilk gün: Türbülansın ortasında yaratıcılık, insan ve gelecek tartışıldı - Fuar Dergisi

Brand Week Istanbul's first day explored how turbulence reshapes business and creativity, featuring Farhadi and other leaders; discussions emphasized human creativity, the limits of AI, and the need for distinctive value, with a Turkish creativity study highlighting practicality and crisis-driven innovation; AI's growing, but incomplete, role in branding and commerce.

Blaise Pascal, artificial intelligence and willpower

Translated title. Original: Blaise Pascal, l’intelligence artificielle et la volonté

A discussion on a new Pascal Prize honoring AI-created literary works, juxtaposing Blaise Pascal's historical role as an early calculator with modern AI. The piece questions whether AI can produce genuinely original art and whether the prize's framing respects human authorship and meaning.

Moving Beyond AI-Only Note Writing: How to Turn Your Experiences into Articles | masa-san

Translated title. Original: AI任せのnoteを卒業する。自分の経験を記事に変える方法｜masaさん

The author explains how to use ChatGPT as an interviewer before asking it to draft an article. A one-question-at-a-time approach can help writers find ideas in their experiences and keep their own thoughts and words central.

AI and Literature: Why Martin Suter Does Not Fear AI Texts

Translated title. Original: KI und Literatur: Warum Martin Suter KI-Texte nicht fürchtet

Swiss author Martin Suter says AI cannot feel love, a key advantage for human writers, and emphasizes the difference between knowledge and intelligence. He notes AI can imitate style but cannot replace genuine emotion, reassures his own forthcoming novel is self-written, and warns about increasing difficulty in discerning real from AI-generated text.

AI and Literature: Why Martin Suter Does Not Fear AI Texts

Translated title. Original: KI und Literatur: Warum Martin Suter KI-Texte nicht fürchtet

Martin Suter argues AI cannot replicate genuine human emotion in literature, preserving a unique human advantage in storytelling. He notes the knowledge-versus-intelligence distinction, acknowledges AI-generated text in his style, and asserts his upcoming novel Ein und Alles is self-written.